June 28, 2017

Dance: Argentine Tango Alternative song challenge

Last Friday we had a milonga. In the middle of the party, somehow we started an "alternative Tango song request" session.

Following are some of the songs that came up. Can you dance Argentine Tango with them? Some may be trickier than others. Enjoy this challenge.

 Amelie Waltz
 Amelie comptine d'autre ete
 Shostakovich Waltz number 2
 Brahms Hungarian dance 
 Michael Nyman The Piano main theme  (sort of waltz)
 Greensleeves piano version
 Bach cello suite number 1
 Howl's moving castle main theme (waltz)
 Metallica/Apocalyptica Nothing else matters (Nuevo)




How did you do? If you did not like them, just play your favorite D'Arienzo.


June 25, 2017

Science: Retreat for Colon Cancer group (6/15/2017)

Last night I met a dance friend whom I had not met in person for over a year. We chatted and danced. She mentioned I'm always going to a milonga and dancing Tango, from the impression from Facebook posts.

Me: "What, that's how I look?! I got to post my professional works more".



We scientists and researchers tend to focus on our specialties. We have to appeal how our work is useful to society as well. However, the efforts to appeal can, ironically, lead to myopic evaluation on the work. Some people would try to oversell the importance of their work, claiming that their work would solve a big problem single-handedly.

It is hardly the case in reality. Many new cancer "solutions" had come, like Cell Cycle, MicroRNA, angiogenesis, cancer stem cells, targeted therapies, and immunotherapy. But not one could stand alone and solve everything in biomedical research so far.


In contemporary biomedical science environment, we need to keep an eye on the developments in what other people are doing, in addition to working on what we have been doing.



A part of my work is involved in colon cancer carcinogenesis and intervention. Colon cancer is a complex disease. Instead of claiming that the process you work on is the key, we need to acknowledge the complexity of the process, and have an understanding on the multiple processes, in order to prevent and cure the cancer in a more intelligent manner.



On 6/15/2017 we had a retreat for Colon Cancer Research group with several PIs (Principal Investigators) and the lab members from neighboring research institutes Stephenson Cancer Center, University of Oklahoma Health Sciences Center, and Oklahoma Medical Research Foundation.


The location was at Chesapeake Finish Line Tower in the Boathouse district. From the 4th floor, the tower provides nice view on Oklahoma River by the downtown.




We began sessions with roundtable discussions for five thematic focus areas. In the second part, we switched and mingled among other tables. The retreat was designed to broaden our understanding on colonic carcinogenesis and to place our works in the complex processes with a focus theme, so that we can collaborate better at the level of the program that encompasses institutes.

Overall, the retreat was successful at creating a broader understanding on the colon carcinogenesis processes and where each of our research tackles.


Traditional (or old-fashioned) approach in academic institutes was somewhat like guerrilla warfare. Small but focused research by individual labs made breakthroughs.

A shortcoming in the approach is that, an institute can be a housing place for mixed bag of researches that do not relate to each other well.  


Reorganizing the researches into a programmatic effort under a banner. That is what is going on under current leadership.

Science does evolve in many levels.



June 20, 2017

Dance: Show dance, milonga, tango workshop weekend (6/16-18/2017)

6/16-18/2017 weekend was an eventful weekend.

On 6/16/17 (Fri), we had a Tropical themed party at 3Sixty dance studio in Oklahoma City. It's a beautiful ballroom and Latin dance studio. We presented a Tango routine along with other ballroom and Salsa dancers for an exhibition.





3Sixty is a studio my ex and I used to come. Since our divorce, I hardly visited the place, although it has been quite a while. Such is the power of habits. It was nice to be there again, seeing friends and socially dancing with new people.


On 6/17/17, we had a welcoming milonga and Tango exhibition for invited Argentine Tango instructors George and Jairelbhi Furlong from Dallas. They are one of those impressive professional stage Tango dancers. They are excellent teachers, too. 

[Special thanks to David and Martha Wells for arranging this weekend events and working so hard for it.]

Although there are many good dancing available on YouTube for viewing pleasure, watching good dancers at work in person has something special about it. For any art, we do need to see the "real deal" at least occasionally. 





On 6/18/17, they presented two workshops for musicality and for various techniques including connection and woman's styling with a focus on boleo. Excellent workshops.






In a book I read recently ["'Good sense' begins with knowledge" by Japanese Industrial Designer/Creative design consultant Manabu Mizuno], the author asserts that accumulated knowledge on a subject or on an art plays a critical role in creating something that is new, that is considered to have "good sense (sizzle)", and that becomes popular.

He emphasizes the importance of existing knowledge in the people involved in creative works, and opposes common romantic view of "an inspiration strikes and creates IT".


For Tango (and other dances), I agree with his view. Lots of knowledge on an art is a requirement for advancing your art. Knowledge is another "numbers game".

Much like your math begins with pre-K then 1st graders' materials, and advances to 2nd, 3rd,... to eventually high school or graduate school-level materials, your dance as an art has some structure in the materials.

It helps to have an overview of the art, then study the materials like studying an academic subject.


If you are uncertain about it, check out the titles of workshops in a Tango event. (an example is here, from New Orleans Tango Festival 2017) 

There are familiar names like Musicality, styling, connection, boleo, gancho, sacada, milonga, vals, etc.etc. Each specifying the learners' level.


There are recurring subjects in the art of Tango. The dance is a very technical dance, you like it or not.

Organizing them inside you and accumulating knowledge on each subject should help to understand how this dance is learned, taught, and danced as of today. With such understanding, you'd appreciate each instructor's understanding and teaching skills in a finer manner.

Dancing like a professional begins with knowing the dance like a professional and thinking like a professional.


 .......these were some thoughts after the Tango-filled weekend.



Although we may have another opportunity to dance our routine approx. 4 weeks later, this choreo project is pretty much over. 

Time to start planning next things.








June 14, 2017

Dance: Stage dance is not an extension of social dance

Last weekend (6/10/2017) there was a studio showcase for international dance studio. I enjoyed watching performances of ballet, bachata, kizomba, salsa, tango, hiphop, contemporary, tap, ballroom, Spanish guitar, etc.






One thing I want to say in this entry is that stage dance is not an extension of social dance.

They are two different games. 


There are many different partner dances. Some dances (e.g., Argentine Tango, Salsa, ballroom) have very clear distinction between its social version and stage version. [You can add 'contest version' for some dances too (ballroom).]

Even though the stage version of dance has the same set of basics as social version of the dance, probably it is helpful to understand that learning them are like learning two different dances. 

The differences are too many. The mindsets are different (for self/partner/occasion, or for others). The purpose are different (fun for the couple, or entertainment for the audience). The target of serviceman-ship are different (the partner, or the audience).

Accordingly, emphasis on the required skill sets are different. 

Citing Argentine Tango for example; 
Subtlety, comfort, free-flowing musical interpretation, the gaze and unwavering attention, personal connection, focus on the moment .....they are virtues of social dance (salon tango). But they have to be seen from a distance for the stage (stage tango). How are you even going to do it?


Bluntly put, ten years of social dance will not make you a good stage dancer. Your ten years of social dance experience is hardly translated as stage dance experience, unless you are keen at the differences. Social only dancers tend to forget or turn blind eye to this. 

Likewise, having decent stage routines will not guarantee that you are good at social dance. Trying to apply your flashy stage-trained moves to an unprepared social dance partner usually ends up bad. Neither of you will look good, and neither of you will be satisfied.


Say it to self again; "Social dance and stage dance (and contest dance) are different dances", and act accordingly.


...meaning that you need to learn and practice social dance if you want to be good at social dance. If you want to look good on stage and entertain audience, you need to learn and practice stage dance.













June 8, 2017

Dance: Stage Tango for Dance studio showcase, 6/4/2017

We had a showcase for Everything Goes Dance Studio on 6/4/2017. Our Tango group presented an Argentine Tango routine with "Lo que vendra". 

The studio teaches many kinds of dances (pre-K, Ballet, Modern, Hip-hop, Tap, etc) and has many students. To house the showcase, they used Rose State College Hudiburg Chevrolet Center, a 1400-seat theater hall. 

Although I did not check out the Balcony and upper-level, the lower level seats were almost full, meaning there were at least five hundred to several hundred people as audiences in the theater. It was a good size audience for a goal of a project.






[Right before]


[On stage]



[Afterward]


This project started out with six dancers for three couple formation choreography for this occasion. 

It was not trouble-free over the months.

One dancer (my original partner) dropped out due to an injury. But another dancer filled in, and she did great job to catch up.   

Ten days before the showcase, another (one of the choreographers) backed out due to family emergency. Since Tango lead is hard to find around here (much less to find a lead who can fill in a choreographed dance from scratch in a week), we modified the choreo from three couple formation to two couple dance. 


But overall, judging from a preliminary video, the timing was matching well enough, and the dance was done fine. These little insider troubles were not showing, I'd say. That is what counts, too.


There will be another occasion to dance this choreo on 6/17. It will complete this project.